Hum! Sounds like a really good idea to integrate all the different styles, writing something that doesn't really step into either what has been written before or what we would like to write by our own, and freeing ourselves from canon constraints.
Yes, the continuity and coherence should be a challenge, but we can overcome that if we organize the work properly.
So, if I have understood correctly, there are several things we should be deciding:
1. From which canon timeline point we would be addressing the story (personally, I am incline to pick a point in an indetermined future, after all current canon crisis is solved; but it could be any point after season 2 or 3, imo, too; maybe connecting with the other idea of writing about what could have happened post Neverland if new curse hadn't been casted?).
2. The general plot that would run throughout the whole fic. Should we have a new villain/mischief maker? What would be the main force driving our characters (especially, E&R) to action?
3. The 6 subplots that would be organized around certain tropes and to be more especifically worked by a smaller group of writers.
4. Tone: I think you suggested to keep it drama, and insert angst/fluff/humor at times. I like the idea, but I am still concerned with the tone/style unity, more that plot coherence.
no subject
Yes, the continuity and coherence should be a challenge, but we can overcome that if we organize the work properly.
So, if I have understood correctly, there are several things we should be deciding:
1. From which canon timeline point we would be addressing the story (personally, I am incline to pick a point in an indetermined future, after all current canon crisis is solved; but it could be any point after season 2 or 3, imo, too; maybe connecting with the other idea of writing about what could have happened post Neverland if new curse hadn't been casted?).
2. The general plot that would run throughout the whole fic. Should we have a new villain/mischief maker? What would be the main force driving our characters (especially, E&R) to action?
3. The 6 subplots that would be organized around certain tropes and to be more especifically worked by a smaller group of writers.
4. Tone: I think you suggested to keep it drama, and insert angst/fluff/humor at times. I like the idea, but I am still concerned with the tone/style unity, more that plot coherence.
Is that all?